If you are an adviser, partner, or designer working for or alongside 858 Sydney, this is where the seal, the colours, the typefaces and the way we write all live. Take what you need — and keep it precise.
↓ The sealA beaded ring, the 858 monogram in gold, Sydney beneath it, and the practice named around the edge.
The seal is the whole identity — there is no separate wordmark. Place it on near-black or deep charcoal. Don't recolour it, don't redraw the ring, and don't set the monogram in another typeface.
858 and Sydney in gold, the ring and edge text in cream. Never solid white, never a second colour, never a drop shadow.
Leave clear space around the seal equal to at least a third of its diameter. Don't crowd it with type or crop the ring.
Below ~72 px the edge text stops reading. Under that, use the "858 Sydney" wordmark instead of the full seal.
A near-black canvas, warm cream for text, and a single gold for everything that matters. Click any value to copy it.
Cinzel for the seal, Cormorant Garamond for headlines, Inter for everything else. All Google Fonts.
Editorial, restrained, precise. We write for established buyers who can tell when they're being marketed at.
